Monday, June 13, 2011

Disney Depth

Walt Disney went deep into everything he involved himself with. This is called commitment.
Walt Disney was passionate about everything he was committed to. This is called coherence.
Walt Disney was single minded with anything he did. This is called integrity.
Walt Disney literally and metaphorically brought depth to something that was literally and publicly shallow, like animation.
It is one's depth that makes both shallow and substantial  really deep. This is called bliss.

Wednesday, March 16, 2011

Disney Competition

Walt Disney lived well with competition not just because he was used to it and when things were smooth he felt like the ground could crack under his feet, but because he was naturally a giver and, in competition, one can give one's all, with no self-boicoting, no "I can't do" mantras, no hesitation.

Saturday, March 12, 2011

Disney Perfection

It was like the  ballet choreographer said in "The Black Swan":
Perfection is not all about control, but abandonment too!"

Saturday, March 5, 2011

Disney Purity

 There is no greater purity than to make the celebration of joy, faith and fantasy one and the same!

Saturday, February 19, 2011

Disney Interpretations

I finally watched a talk Gabler gave in 2006, about the biography he wrote of Walt Disney.  Inasmuch as the writer gives much information on Walt, it is sad he has to use the material he learned from to fit his interpretations (or Mis-interpretations) which are in greatly part borrowed from Shickel anyway. Guess everybody knows the "control" explanation regarding the appeal of the parks and to also satisfy Walt's need for "escape". If there was anyone who looked at reality face to face in order to create everything he did, as well as to harmonize all the diversity he had under his lead, it was Walt Disney. To see, know, and handle reality was no easy feat, but no obstacle to him. I simply can't understand the impunity of attributing a mere need to escape to such person. Having control results from escaping reality, for Gabler.  Invert the equation and perhaps one corrects the misinterpretation: Having control is facing reality so as to take the step beyond: artistic freedom, letting go or, the abandonment of fantasy.

Thursday, February 3, 2011

Disney Warrior

A warrior is someone who fights to give his best, before fighting against others,
A warrior is someone who competes to overcome himself, before trying to subdue  others,
A warrior is someone whose greatest challenge is the conquering of his own shadow, rather than the power over enemies,
A warrior is someone who sees his adversary as someone to learn from, rather than to just crush,


A warrior sees life as the ultimate challenging and, yet, the biggest reward; the most serious commitment and, yet, the greatest adventure;
A warrior is someone who, like Walt Disney, was always self-improving, instead of just asserting himself!

Tuesday, January 4, 2011

Disney Example


Walt Disney's curiosity was his being disarmed; his nakedness before life,
Walt Disney's courage was his dignity to fully own up to himself and go ahead with all of his being,
Walt Disney's confidence was his being true to himself, his being whole,

Walt Disney's constancy was his coherence; his capacity for committing,
Walt Disney's four Cs were his very purity!

A Disney New Year


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           Gabler says his book is an attempt to decipher the mystery of Walt Disney. But genius is mystery itself, and if one doesn't resort to the mystical dimension (another mystery) one will not even brush its meaning. Lets start the year by paying homage to genius, and bow our head to mystery. And to continue the year, lets remember that the spirit of adventure and that of creativity, both in the Disney essence, have a common seed to be paid homage to. In creativity and adventure one lets go of fear and, in the nakedness of childhood, becomes able to respond to something beyond one's ego. 


Sunday, December 5, 2010

Happy Bday Walt Disney!

One of the most beautiful things of Walt Disney's genius was a characteristic that also allowed him to be many years ahead of his time: his inventing interaction with fantasy and having had, himself, a constant, interactive experience with his audience. Disney knew or sensed that everything is interconnected and, be it entertainment or education, a growing population in a world of quick, eletronic comunication  will only respond to interactive experience. In a world of speed, only impact and directed involvement communicates. The scission between subject and object, audience and stage,  and action only tends to disappear with the technology of immediacy because of the lack of time to contemplate. From this, came, in art, contemplative interaction, for which, Disney threw the seed.

Monday, November 22, 2010

Disney Apple

  
     Thanksgiving hasn't arrived yet, and there are already Santas in some malls. They stay on playing areas, abandoned to themselves, for, the kids much prefer to play in the available toys. Santa Claus, the one character that was once a Saint and revered as such, became something pathetic, replaceable and even, dare I say, disposable? Not yet disposable, but the prior step to it, which is, a tool for propaganda. The moral of the story is that greed for money took the place of magic, turned the sacred into something worse than the profane, the so called "propaganda". One doesn't know who to be sorrier for, Santa or children.
    Only someone saint-like can reconcile magic and capitalism, the profane and the sacred, like Walt Disney. What would he do, if he saw such demoralizing of Santa? One doesn't have to go that far, he would first take care of the Disney co itself needing of magic. One sees abandoned Santas and, on the other hand, children, youths and old alike teeming inside Apple stores, some with their
jaws dropped.
    Magic, if there's still some, went from something that, in its impossibility to be explained,  carried one away, to something that is exact, more than explainable (for those who want to learn it) and manipulable. Magic became "apple" power.  Like with the fall from paradise, the power of the apple dethroned innocence,
that availability to be dazzled without understanding how and why it dazzled you; without being in control!
  Very much the contrary, the power of the apple is control itself!      I, like many, make use of this power, but I regard it as a mere tool. I am still waiting for the Disney Apple, the one that, rather than a tool for something, is the "something" itself, the "it", that first "Ahhhh" one used to utter when entering, for the first time, Main Street USA. How would Walt Disney make it anew?